Brian Michael Clarke’s practice encompasses various printmaking processes including: etching, carborundum, monoprinting and lithography.
Monoprints and etchings have formed a large part of his oeuvre and their capacity for reiteration and evolution in mark-making have helped to give voice to his artistic project; they have suited his tendency toward expression in layered and recapitulated forms, in series, and in the evolution of ‘states’.
